QRix
Halve the weight of your photographs without a visible quality drop — AVIF's strongest use case.
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Photographs are where AVIF pulls furthest ahead. Against a JPG at equivalent perceived quality, AVIF routinely lands about 50% smaller, and it degrades far more gracefully at aggressive settings — where JPG breaks into blocky 8×8 squares, AVIF softens gently. For a gallery, portfolio or product catalogue that halves your image bandwidth outright. Encoding takes longer because AVIF leans on AV1 video compression, so allow a few seconds per image. Since a JPG is already lossy, keep the quality slider at 80 or above so you are not compounding two rounds of loss, and convert from the largest original you have. In production, serve AVIF inside a `<picture>` element with a JPG fallback for the last stragglers.
Roughly 50% at equivalent visual quality for typical photographs, sometimes more on high-detail images.
At the same file size, clearly yes. AVIF avoids the blocky artifacts JPG produces under pressure and handles gradients and smooth skies far better.
Yes — as a fallback for older clients and as your master copy. Never discard the highest-quality original you hold.
AVIF encoding runs the AV1 codec, which is much heavier than JPG encoding. The wait buys roughly half the file size.
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